Latest in: Films
Stereo Embers The Podcast 0410: Tom DiCillo (Living In Oblivion, Box Of Moonlight) - November 13, 2024 I had a great talk with Alex Green on his Stereo Embers podcast (Stereo Embers Magazine) on …
November 15, 2024
In case you missed it, a couple of weeks ago, I had a great talk with Christian Niedan in the 35th edition of Screen Sounds on Radio Free Brooklyn about The Doors and my …
August 27, 2024
One of the most bizarre reactions to my films occurred on When You’re Strange. Before editing started, I spent weeks looking at all the footage from The Doors archive. Interspersed with hours of concert …
June 5, 2024
Enough about nutjobs. My only point is that they are out there, and it is absolutely certain you will encounter them. I don’t think I remember them teaching that in film school. But, most …
April 17, 2024
Filmmaking is like being in a mosh pit. Sometimes, the intimate contact with all the heaving, sweating bodies can be exhilarating. Sometimes, it just hurts and stinks. What happens when all of your careful …
April 10, 2024
Twenty-five days. That’s how long I was on the set directing Delirious. Out of six years, twenty-five days. I’ve often wondered what my job was all the other days—the days before and all the …
March 7, 2024
I moved to NYC in 1976 just as the Punk scene was erupting. It was the first cultural movement I experienced firsthand, and it completely turned me on. Although the initial blast was music, …
February 22, 2024
I went into When You’re Strange with a few naïve and stupid prejudices; for example, I liked The Doors’ music, but Morrison being so excessive kind of bugged me. I thought, “Did he really …
January 29, 2024
A few weeks ago, I was invited to speak with Ellen E Jones, who has a cool podcast on Film on BBC Radio 4. We talked about Dreams in Film, particularly the use of …
January 27, 2024
Down in Shadowland is the most personal film I’ve made. Everything in it; every shot, every cut, every dissolve, every sequence, every piece of music is there because it was something I wanted to …
January 9, 2024
What makes someone a Star? Just like everyone else who goes to the movies, I feel that some people have a certain magic that makes them supremely interesting to watch. But, what is it …
January 3, 2024
Box of Moonlight premiered at the Venice Film Festival in September 1996. As I headed to the theatre, all I could think about was how, just two months earlier, the head of another festival …
December 20, 2023
In Box of Moonlight, the script called for Al (John Turturro) to jump into a pool of water and swim leisurely while acting in several scenes. John had never learned to swim and confessed …
December 19, 2023
On my last night at Sundance with When You're Strange, I introduced the film by stating, "There are no actors, no doubles, no recreations in this film. Every frame is Jim Morrison and The …
December 7, 2023
I love letting actors improvise a scene. Sometimes that spontaneous flash of imagination brings you something infinitely more alive and effective than anything you could have written. Buscemi is one of those rare actors …
November 29, 2023
Film is the language of Dream. Every single night in our dreams, we all compose a film entirely by ourselves. We write it, direct it, edit it, light it, shoot it, and even act …
November 22, 2023
I found this shirt in my closet yesterday. It’s one of the shirts Brad Pitt wore in Johnny Suede. Costume Designer Jessica Haston worked very closely with me to find the look for Johnny. …
November 8, 2023
I’ve received a few awards for my films, but this one for Double Whammy holds a special place in my heart. The plaque reads, “Best Restraint from Homicide before, during, and after the making …
November 2, 2023
I was asked recently about a camera teacher I had at NYU Film School. The teacher had shot several award-winning features, but his classes were two grueling hours of resentment and self-promotion. He withheld …
October 30, 2023
I got into cinematography completely by accident. One day at NYU, a professor set up a film exercise. He assigned Jim (Jarmusch) to write a five-minute film, me to shoot it, and someone else …
October 20, 2023
The Real Blonde is the only film I’ve made for a studio. The budget was higher, and so was the pressure to cast Stars in every role. The battle to cast Catherine Keener in …
October 17, 2023
I first met Sam Rockwell in 1990 when he came in to audition for Johnny Suede. The part ultimately went to another unknown and rising talent, Brad Pitt, but Sam made such an impression …
October 12, 2023
I don’t have any qualms about working with stars. There are many who are very gifted and brilliant performers who don’t bring the whole movie star baggage with them. This was our starting point …
September 27, 2023
There is a crucial scene in Delirious where Les Galantine (Steve Buscemi) comes face to face with a real celebrity. As a paparazzi, Les’ mantra about the celebrities he hounded had always been, “They’re …
September 21, 2023
When I was writing Living in Oblivion, the first and second acts came easily. But I struggled hard with the third. One day, I was expressing my frustration to my wife, Jane Gil. She …
September 14, 2023
One night in 1990, around midnight, my phone rang. When I answered it, a strange voice said, “Is Tom there.” I said, “Yeah, it’s me.” He said, “Hey, it’s Nick Cave.” That woke me …
August 22, 2023
I met over 200 actors to play the part of Johnny Suede. For some reason, most of the guys who auditioned thought Johnny was The Fonz from Happy Days and even brought in his …
August 15, 2023
Sometimes you know an actor is the only one for a role, and at the same time, you know you’re both in for a wild ride. Michael Pitt embodied all the elements that were …
August 8, 2023
I've known Scott Macaulay at Filmmaker Magazine for over 20 years. He's been at the forefront of NY Independent film, producing some of the most memorable independent films of the past few decades. One …
April 1, 2021